Compass Points



SOUTH

In this house there is a room
full of underwater shadows, of teenage fears;
the room has close-drawn curtains, dim light;
a trail of make-up, lipsticks, earrings,
silky scarves and tiny, tiny briefs;
a strange flirtation with form and beauty
in the stark, dark postcards, black and white,
flowers, postered art;
a deep obsession with clothes, self-presentation -
self-identity carried to the mystic ritual
of mirror-worship, conditioner, blusher, brushes
striving for an outward beauty,
but glimpsing now and then an inner need
for wisdom and strange new priorities
of selfless discipline;
a sad putting away of childhood,
the pillowed bears, confiding hedgehogs,
banished with a too sudden haste,
the popstar posters ripped away,
the money growing slowly in a pot for him,
deep-eyed in a dozen photo-ed moments;
an integrity that takes on loneliness
and pays the price for dreaming of the south.


WEST

In this house there is a room
with tumbled bed and wide, obsessive window
open to the rain and sun;
with huge tangled boots and trainers,
wires and headphones nesting in damp towels, hair gel;
all around are girlie posters,
matches, plots and scraps, phone numbers,
humming socks torn off to land in chaos;
tapes, more tapes - everywhere;
car keys impossibly festooned in tags, rally posters,
a grease-streaked scarlet rug;
beer cans and a photo of a leaping, laughing dog;
ripped shirts and bills -
more bills and worried invoice slips;
an open, empty cash box but an open, generous heart;
no yesterdays and no tomorrows, only today
viewed from ever-hopeful eyes - unquenchable,
a clear Irish blue.  Western.
    

EAST

In this house there is a room
wide-windowed to the garden,
peopled by an army of unperturbing beetles,
spiders, harvesters, and the chrysallis shells
of asthma-beating drugs;
scrolls of music and a Japanese recorder;
tiny terracotta models, doll-sized, of pitchers, pots,
in warm Mediterranean earth;
clay birds in flight and two blue horses;
photos of fragile kittens, crippled geese, black children;
posters of a dying soldier and a begging child;
medals, sports cups, a baseball cap;
a few closed books;
drawers of jewelry shut for ever,
skirts rejected, perfume long since put aside;
a night owl, prisoned in glass, watches the empty bed,
uncommunicative -
the child has flown east.


NORTH

In this house there is a room,
a room of sky and leaves,
looking over fields and hills,
austere, cold, secret,
reached only by a thin, oak ladder.
The room is filled with books;
a sleeping trumpet, amber dubbin,
scraps of pottery, elephants and foreign masks,
shards of glass and silica, a sheep’s skull
jostle with stark sketches of gaunt trees -
and an odd incongruous nativity
on wood, tiny,
hanging from the elm beam of a stable -
the child now star-led to the north.


(November, 1991  to March, 1992)